Typically, we’d save the video for the end of the post, but since we’re about to get all behind-the-scenes-y on you, check out this promo video we made for our friends, Blaine and Kelsey, of Wright Photographs for their senior sessions!

Feelin’ the love? Here’s how we made it happen.

Blaine and Kelsey are a husband and wife photographer duo based out of Champaign, IL. Besides taking awesome photos, they are just super cool people–they are coffee drinking, ice cream eating, record loving, instagram posting, passionate people who want you to slow down and savor the current place in your life.

They contacted us about creating a film for their senior portrait sessions. We drove out to their family friend’s farm where they had some really fun things planned out for the girls on the shoot–including, but not limited to a bonfire, s’mores, paint, and a dog named Gunther.

The look of this film is decidedly vintage. We wanted it to have an old, processed look–something that matched the look and feel of a super 8mm film and at the same time gave a sense of Blaine and Kelsey’s style as well.

To get a more handheld look and feel, we decided to leave our monopods behind and bust out some old rigs. If you look at the images above, you’ll see that we’re shooting with our Cinevate Uno rig and a Cinevate shoulder rig. We paired these rigs with our 7D’s, Zacuto view finders, and limited ourselves to a few lenses.

You may have also noticed the models are using a funky looking camera. I brought along the Nizo 801 super 8mm camera for its debut run! While none of the actual super 8 footage made it into the film {we’ve still got some rolls to shoot on before we send out to the lab}, it is a fully operational camera and the girls were actually recording with it. Don’t be surprised if you see us bringing around the Nizo with us to future shoots. We’ve got some cool stuff a comin’!

To give it that old film look, we experimented with creating some vintage looks. Check out these early tests we did with color and grain:

The final component was all Oliver–as our resident After Effects wizard, Oliver created custom film strip borders and animated them on top of our footage. The final result, with everything combined, is the film you see at the top of this post!

We had a really awesome time on this shoot. Oliver got to bust out his Bear Grylls skills {he helped start the bonfire}, I got to bust out my new camera {super  8mm fun!}, and Gunther got to bust out his marshmallow stealing ability.

And with that, here’s one last golden BTS nugget–Gunther lets you know what he thought of the shoot:

Cheers,

Chris

In our previous post, I mentioned that we reached a milestone last weekend when cut together our very first wedding SDE {same day edit}.  For us, it was one of those watershed moments—I believe Oprah refers to it as an “ah-ha moment”.

Everything that we learned about lens choice, composition, story telling, and editing, came together in a fast-paced, sweat inducing, adrenaline pumping way. The result was a film that we were pretty proud of, and something we were more than excited to share at Chris and Anna’s reception.

After their wedding, it would have been a good point to pause and breathe a sigh of relief for having hustled hard. However, we were only able to catch our breath. You see, we would repeat the process the very next day, and kick off our wedding season with back-to-back SDE’s.

Back in November, when our friend Kenny asked us if we would film his proposal, the thought had crossed my mind about how neat it would be to cut together footage from his proposal with footage from his wedding day. Kenny hadn’t yet spoken to us about shooting his wedding and I certainly wasn’t trying to be at all presumptuous, thinking that he would hire us. I was just letting my imagination run for a little bit—in my mind, I saw how the proposal and their wedding day act almost like bookends to their story.

Thankfully, Kenny and Ruth DID end up hiring us for their wedding day, thus setting the wheels in motion for us to take some creative steps in telling their story and surprising them with an SDE :]

Shooting a wedding and cutting together an SDE the night before Ruth and Kenny’s wedding required us to do some post-wedding work. Clearing cards, transferring and backing up footage, clearing out hard drive space—a lot of small, time-consuming, yet necessary things.

But you know what? We knew that it would be totally worth it when their SDE played at their reception.  We wanted to create an opportunity for Kenny and Ruth to relive moments from their day, feel the anticipation the other was feeling, and remember what it was like just a few months ago on the day of their proposal.

It was definitely a labor of love. For us, more love than labor. We hope you enjoy our second {and back to back} SDE. If we ask you if you liked it, we hope your response is the same as Ruth’s response to Kenny’s proposal: “Yes, of course.”

Cheers,

Chris

location | Chicago, IL
ceremony.reception | River East Arts Center
photography | Bob & Dawn Davis and Ray Santana
event planning | Ryan Alexander Events
flowers.design | Vale of Enna
makeup | Sonia Roselli
music | Monastero Entertainment

I remember meeting with Anna and Chris for coffee back in November, over Thanksgiving break. Prior to our meeting, Anna informed us that videography on her wedding day was a must. She was looking for someone who would be able to capture all the moments that she might otherwise miss.

After getting to know Anna and Chris and hearing about what they were looking forward to on their wedding day, we felt in our hearts that we wanted to do something special for them. At the meeting, the two had inquired about whether or not we do SDE’s [same day edits] because they were looking to share something special with their guests.

At the time, SDE’s were not something we were comfortable doing–as a fledgling company, and as staunch perfectionists, we were still working on our story-telling, composition, and editing skills, and felt that SDE’s weren’t something we could venture into just yet.

However, if there was ever a good reason to create an SDE, now would be it. So we planned, prepped, took the leap, and created this surprise SDE for Anna and Chris to enjoy at their reception with their guests, friends, and family.

And so, we would like to share with you our very first SDE. We’re very proud of how their story, and this film, turned out. Just being able to capture even the smallest of moments, such as Anna putting on her mom’s makeup, was a privilege for us because we knew that those small moments would have a very special place in Anna and Chris’s hearts.

As their officiant said in her opening remarks, “We are the lucky ones to be witnesses to and surrounded by their beautiful love story.”

Cheers,

Chris

location | Chicago, IL
ceremony.reception | InterContinental O’Hare
hair | Livia Caporale
floral | Tina and Dollie
photography | Melissa Diep Photography


 

When we get to know our couples, one of the things we like to do is ask about any and all parts of their wedding day that have a particular significance. With Jessy and Greg, we could have almost asked what parts of their day didn’t have significance.

Their day was so richly textured and layered with meaning that we had a some tough choices on what stories would make it into their film. From writing their own vows, to the inclusion of their favorite wine in their ceremony, and even including their dog, Suzy, in their bridal party–there was certainly no shortage of meaning in their day.

Cheers,

Chris

location | Chicago, IL
ceremony.reception | Hotel Monaco
photography | J+N Imagery

“Through this journey, there was a lot of resistance. Understanding the Korean culture… we know that for both of our parents, it was a huge jump for them to actually be supportive of this. I don’t think many parents, especially of the Asian decent, would be supportive of this.” 

JT and Grace Park shared these words with us about their parents just over a year ago. It’s remarkable how much can change in such a short span of time.

Above: Grace’s Father, Young Hwan Lee, back in the day.

If you’ve been following our blog, you’ll remember that about a year ago, the Parks adopted a baby boy from Korea named Joel, and welcomed him into their family. [See our previous blogpost we are the the park family 5 | homecoming]

Before long, they were moved in their hearts adopt another child from Korea, and began the process of bringing Sarah into their family. In the midst of the process, some challenges arose.

According to the South Korean Ministry of Health and Welfare, There are currently 20,000 children in South Korea waiting to be adopted. Of these children, many have special needs, and their hopes are bleak for one day finding a forever family. [Of special needs children in South Korea, only 1.5% are adopted by Korean citizens via domestic adoption.]

Despite these numbers, and due in part to pressure from anti-adoption groups, there are now restrictions impacting all international adoptions. A quota has been established, drastically limiting the number of children that can be adopted internationally.

Above (from left): Joel, Anna, and Timothy Park

In light of this news, and in the midst of their second adoption process, JT and Grace approached us to help create a video for the Voice of Love Campaign, whose sole focus is advocating on behalf of orphaned children in South Korea.

Composed of Koreans, Korean-Americans, American churches and ministries, adoptees and their families, and friends all over the world—Voice of Love is brought together by one goal: restoring the futures of waiting children and reminding South Korea that adoption is a beautiful thing.

As with all of our films, we aimed to create a meaningful and visually rich story. Having filmed the Homecoming video for the Parks and experiencing their heart of love for their baby boy, Joel, we knew we couldn’t pass up an opportunity to tell their family’s ongoing story.

We felt that the strongest angle we could take with this piece would be to hear a testimony from someone who changed his mind along the way–Grace’s father. It was remarkable to hear him speak about his family, especially understanding that just over a year ago, his perspective was much different.

In the end, we hoped to create something that everyone could watch–not just those involved in the adoption community, but a film for everyone to enjoy, and hopefully share.

This is Young Hwan Lee, and this is his story.

Cheers,

Chris