Archives for category: Portrait Films

“Through this journey, there was a lot of resistance. Understanding the Korean culture… we know that for both of our parents, it was a huge jump for them to actually be supportive of this. I don’t think many parents, especially of the Asian decent, would be supportive of this.” 

JT and Grace Park shared these words with us about their parents just over a year ago. It’s remarkable how much can change in such a short span of time.

Above: Grace’s Father, Young Hwan Lee, back in the day.

If you’ve been following our blog, you’ll remember that about a year ago, the Parks adopted a baby boy from Korea named Joel, and welcomed him into their family. [See our previous blogpost we are the the park family 5 | homecoming]

Before long, they were moved in their hearts adopt another child from Korea, and began the process of bringing Sarah into their family. In the midst of the process, some challenges arose.

According to the South Korean Ministry of Health and Welfare, There are currently 20,000 children in South Korea waiting to be adopted. Of these children, many have special needs, and their hopes are bleak for one day finding a forever family. [Of special needs children in South Korea, only 1.5% are adopted by Korean citizens via domestic adoption.]

Despite these numbers, and due in part to pressure from anti-adoption groups, there are now restrictions impacting all international adoptions. A quota has been established, drastically limiting the number of children that can be adopted internationally.

Above (from left): Joel, Anna, and Timothy Park

In light of this news, and in the midst of their second adoption process, JT and Grace approached us to help create a video for the Voice of Love Campaign, whose sole focus is advocating on behalf of orphaned children in South Korea.

Composed of Koreans, Korean-Americans, American churches and ministries, adoptees and their families, and friends all over the world—Voice of Love is brought together by one goal: restoring the futures of waiting children and reminding South Korea that adoption is a beautiful thing.

As with all of our films, we aimed to create a meaningful and visually rich story. Having filmed the Homecoming video for the Parks and experiencing their heart of love for their baby boy, Joel, we knew we couldn’t pass up an opportunity to tell their family’s ongoing story.

We felt that the strongest angle we could take with this piece would be to hear a testimony from someone who changed his mind along the way–Grace’s father. It was remarkable to hear him speak about his family, especially understanding that just over a year ago, his perspective was much different.

In the end, we hoped to create something that everyone could watch–not just those involved in the adoption community, but a film for everyone to enjoy, and hopefully share.

This is Young Hwan Lee, and this is his story.

Cheers,

Chris

You’re going to have to trust us on this one: when we created this Portrait Film, we had no idea that a similar film existed which also implemented split screens.

It’s a great film that has been making its rounds, and by now, you’ve probably seen it. By the time it reached us, we were scratching our heads at the similarities. Ultimately, the narratives of both of our films are different, but it is pretty neat to see where some of our thinking and composition overlaps–we should make a Venn Diagram just for kicks.

If you don’t believe us, you can ask our wives. For extra measure, you can even ask our moms–they’ll all vouch for us :]

this is a story | the concept

M + J approached us to create a concept film that would play at their reception, just before they were introduced to their guests. Turns out they approached us not only because they appreciated our film aesthetic, but they liked the realism we brought to our films as well. They came to the table ready with a few ideas that they wanted to incorporate:

  • she’s from Chicago, he’s from North Carolina
  • they met at work, after he transferred from NC
  • the theme of two different people coming together was important to them
  • they wanted show the transition from dating to getting married
  • placing garlands on each other is an important symbol in their culture
  • they liked the idea of using split screens, inspired by the “Plenty of Fish” commercials
  • if possible, they didn’t want to do any voice over work

At first glance, it seems like a constricting list, but actually, it really helped us focus the story-telling in the long run.

The approach we took on this Portrait Film was far different from others we’ve done in the past. First off, we story-boarded a great deal for this shoot with 90-95% of the shots in coming directly from the framing in our pervisualized drawings. A handful of our shots were inspired by other films we had seen in the past, both mainstream, and independent. See credits below*

Another thing that was different was that we had M + J do a lot of acting/reenacting. Typically, we shy away from that sort of thing and like to capture events as they naturally happen. Since we had to show how they met and how their relationship developed, the two had to do a little bit of acting–the good thing was that there was no audio needed ;]

this is a story | shooting specs
Aside from planning out our framing and composition, we had to execute shooting in split screens. We used painters tape to section off our LCD’s to prevent ourselves from guessing about what we would see in our frame. To make it a bit more challenging (and fun) for ourselves, we decided to go with the 2:35:1 hyper letter box format over the standard 16:9 format.

We went with a warm/cool color grade for the opening sequence to delineate between his/her individual scenes. When the two share the frame, everything is generally warm.

We also added a hint of expired film to the color grade for that little extra something. We did three time-lapse sequences in the city to show the passage of time between the dating and engagement sequences. To shoot this, Oliver and I took turns baby sitting the camera during the lapsing while the other took a break at the Corner Bakery across the street.

Mmm… apricot scones.

this is a story | previz + screen comparisons
this is a story | the film
Excited? We are too. Enjoy :]

Cheers,

Chris

commercial |  plenty of fish | your other half is waiting
film |  (500) Days of Summer
independent |  first place portrait film via evo australia three | dance sequence
special thanks | Kenny Nakai for letting us use his studio space for the shoot

One of the great things about shooting a Portrait Film is the work we put in beforehand.

We spend a good amount of time getting to know the couple, asking a wide variety of questions, and getting an even wider variety of answers. The result is, hopefully, finding out something meaningful that will lend itself to becoming visual legs for their film.

The thing is, going through this process with JC and Judy wasn’t like work at all. It felt like we were shooting the breeze and cracking some jokes with some old friends–always a good sign that we’re headed in the right direction!

Along the way, we found out about Judy’s love for baking, JC’s love for sports, that my wife and I were once members of the same music studio as JC, and we even got to sample some of Judy’s amazing sugar cookies.


But more than some creative visuals and a great story, we are most happy to have walked away with a friendship with these two :]

Cheers,

Chris

Kudos to Kenny Nakai for lending us his studio space. Kudos to my wife, Marah Sotelo, for acting as PA on the shoot :]

Our friends, JT & Grace Park, recently adopted a baby boy from Korea and asked if we would come along to capture their Family Day–the day baby Joel would arrive and officially become a member of the Park family.

Because of the paperwork, it was anyone’s guess as to when he would arrive in the states. We were literally “on call” for a week, eagerly anticipating the big day.

When we arrived at the airport, we were greeted by the Park Family–their whole family. JT & Grace’s two children donned shirts that read “older brother” and “older sister in Korean and their cousins held up homemade welcome signs.

While the grandparents prepped bottles and gifts, JT & Grace nervously and incessantly checked flight monitors to see if Joel had arrived . The look of anticipation on these expecting parents’ faces was so beautiful.

When it comes to creating our films, we are all about the story. Sometimes we can tell a story in a couple of minutes–maybe even a few seconds. Those who frequent this blog are probably in habit of liking short videos. This video, however, is decidedly longer, because we wanted to make sure we told their story in its fullness. So if you have a few minutes, please, take a seat, and enjoy.  You really won’t regret it.

Happy Holidays,

Chris

PS – If you’d like to find out more about Joel, and how he’s getting along in their family, you can follow the Park’s on their blog :]

Mikey and Becky’s wedding marked our final wedding of 2010.  Since Mikey emceed my wedding reception and brought loads of laughs to our family and friends, I knew we needed to return the favor.

The idea for their Portrait Film was based off of Mikey’s proposal to Becky–he authored a storybook for her where, in the end, the main character, “Mecky”, confessed his love for “Bikey” and told her he wanted to spend the rest of his life with her.

We asked Mikey to put his writing talent to the test again and author another piece that was a reflection of the two of them. He wrote this little poem of sorts entitled, What Makes a House a Home? We were invited into their home to put visual legs to the piece.

The Portrait Film played at their reception and both Becky and Mikey enjoyed it for the first time along with all their guests. Just as they let us into their home and gave their guests at their reception a glimpse into their life, I’m confident they wouldn’t mind inviting you into the home they’ve begun to make for themselves either.

Cheers,

Chris